Saturday, September 13, 2008

New Issues of The International Journal of Critical Pedagogy

The Freire Project has published the second (free!) issue of The International Journal of Critical Pedagogy. Articles that caught my eye:
  • "But What Can I Do?" Fifteen Things Education Students Can Do to Transform Themselves In/Through/With Education"
  • "Liberating Grades/Liberatory Assessment"

Wednesday, September 3, 2008

Looking for Social Justice-Related Lessons?

Check out Education for Liberation Network's edLib Lab. You can search the database according to your topic, like "politics", or browse through the list.

Where's the Power in Arts and Education?

Barry's Arts Blog posts a list of the most influential people in the non-profits arts field. You can check his blog as to why they are influential, but here are the top 10 (he lists 25).
1. BOB LYNCH - PRESIDENT & CEO OF AMERICANS FOR THE ARTS
Consensus number one on majority of responses. Flush with cash from the Ruth Lily gifts, Bob has guided expansion of Americans for the Arts initiatives into advocacy, business, research, alliances, arts education, marketing and emerging leadership – building the nation’s largest and strongest arts service provider organization. Clearly the premier spokesperson for the arts sector in America. His seemingly laid- back, diplomatic style belies real ambition for the organization. A true political player – smart, savvy, and boundless enthusiasm.

2. MARION GODFREY – PEW FOUNDATION
Highly respected senior foundation leader much in demand for her thinking acumen and big picture analytical skills. Depth of experience adds to her bona fide creds. She is a voice of authority.

3. BEN CAMERON - DORIS DUKE FOUNDATION
Former TCG head now at Doris Duke Foundation. Power and influence come from oratory skills and keen analytical insights. Much in demand speaker. Huge network of fans. When he speaks, people listen.

4. DICK DEASEY – EXECUTIVE DIRECTOR ARTS EDUCATION PARTNERSHIP
Long standing arts education leader. Knows the arena as well or better than anyone. Gets out into the field rather than staying office bound. If arts education is, in reality, a separate and distinct sector, he is the head man.

5. ALAN BROWN – PRINCIPAL WOLF BROWN CONSULTING
Likely the most respected independent consultant in the whole arts & culture field. Hugely influential. Respected by arts organizations, funders, artists and other consultants. Current guru of audience development theories.

6. SAM MILLER – EXECUTIVE DIRECTOR LINC (LEVERAGING INVESTMENT IN CREATIVITY)
Pioneer in the burgeoning area of direct artist services. Persuasive case maker, detailed thinker. Very focused. Global traveler and large network of contacts. . Both smart and realistic. Bringing the artist to the decision making table.

7. CLAIRE PEEPS – DURFEE FOUNDATION
Though the Durfee Foundation based in Los Angeles is relatively small, her position as Chair of the Board of Grantmakers in the Arts has given her a large platform and influential voice in helping to shape Foundation agendas. Well liked. Term over soon.

8. DANIEL WINDHAM - WALLACE FOUNDATION
MOY ENG - HEWLETT FOUNDATION
TIM MCCLIMMON – AMERICAN EXPRESS FOUNDATION
SUE COLITON – PAUL ALLEN FOUNDATION
Four prominent leaders of Foundations with arts programs, each with large agenda, huge budget and lengthy experience in the field. Strategic thinkers. Closely watched by other foundation leaders.

9. DANA GIOIA – CHAIR NEA
Chair of NEA always in the Top Ten due to huge impact of funding in rural states and broad grants budget. Bully pulpit used well. Was effective in increasing NEA budget via working well with Congress. As his term is nearly over, his stock is now fading. Lame duck status.

10. JONATHAN KATZ EXECUTIVE DIRECTOR NASAA
Long time leader and voice of state arts agencies. Wide network and deep experience. Understands the issues in depth; helps set agendas and priorities. Affable personality makes him accessible and well thought of.
Richard Kessler at Dewey21C has posted a list in response: The 10 Most Powerful People in Arts Education.  (It's not a very creative list - but perhaps it might be true.) Here it is:
1. Joel Klein, Chancellor, New York City Department of Education
2. Ramon Cortines, Senior Deputy Superintendent, Los Angeles Unified School District
3. Arne Duncan, CEO, Chicago Public Schools
4. Rudy Crew, Superintendent, Miami Dade County Public Schools
5. Carol R. Johnson, Superintendent, Boston Public Schools
6. Arlene Ackerman, The School District of Philadelphia
7. Michelle Rhee, Chancellor, District of Columbia Public Schools
8. Randi Weingarten, President, American Federation of Teachers
9. Reg Weaver, President, National Education Association
10. Checker Finn, President, Thomas B. Fordham Foundation

Okay, here's five more, that cross the threshold from power to influence:

11. Cyrus Driver, Deputy Director, Education and Scholarship, The Ford Foundation
12. Sarah Cunningham, National Endowment for the Arts
13. David Shookhoff, Manhattan Theater Club/New York City Arts Education Roundtable
14. Gigi Antoni, Big Thought of Dallas
15. Eric Booth, Consultant

Thursday, August 28, 2008

What about childhood?


I have been perusing through Emile: Or on Education (1762) by Jean Jacques Rousseau, believed to be one of the first books to outline child-centered educations. He says:
We know nothing of childhood; and with our mistaken notions the further we advance the further we go astray. The wisest writers devote themselves to what a man ought to know, without asking what a child is capable of learning. They are always looking for the man in the child, without considering what he is before he becomes a man.
When we define education with a focus on outcomes, industry, and workforce, we forget about educating the whole child and rather than attempting to make children adults. What about entering into their world and learning with them?

I recently watched Autism: The Musical. Tricia Regan, founder of The Miracle Project, talked about the trouble she had "controlling" her (mostly non-verbal) son's behavior. She, with the influence of other artists, realized the power in trying to enter his world, rather than drawing him out of it. If he was jumping and screaming, why not do that with him? If he was running around the room, why not do that too?

I was also reminded of the power of the figurative voice. Tricia's son was non-verbal, often having outbursts of uncontrollable behavior. It was amazing to see when he was finally put in front of a speech machine and said something to the effect of: "Mom, I want to put you on the spot. I wish you would listen more."

It reminded me of this previous post on critical pedagogy and special needs populations. The "voice" is so important, but also must be broadly defined and cannot be limited by the ability to talk or write.

The Storytelling Project's Antiracism Curriculum

Discuss race and racism with your high school students through the arts with The Storytelling Project Curriculum. (It's free.) The Storytelling Project was developed at Barnard and in NYC schools and includes over 30 lessons appropriate for high school students that include arts-based storytelling activities to discuss racism. Students study various stories of racism from dominant ones to concealed ones to their own. 

Saturday, August 23, 2008

NYC Opportunity: Support Queer Students

Free! Here's the info:

Beyond Tolerance 2.0

"Building Alliances with Community Organizations to Support Queer Students and Teachers"


Saturday, September 20, 2008
12:00 PM to 3:30 PM
The Lesbian, Gay, Bisexual & Transgender
Community Center
208 W. 13th Street
New York, NY 10011

NYQueer is a working group of the New York Collective of Radical Educators (NYCoRE) focused on gender and sexuality as they relate to school communities. The daily pressures of teaching students at any level (K-12) are such that teachers often feel as if they do not have the time, the support, or access to the resources they need for addressing gender and sexuality in the classroom. More specifically, they are unsure how to challenge heteronormative assumptions and combat homophobia and transphobia.

Recognizing the wealth of resources that both individuals and organizations in NYC have to offer in this area, NYQueer has teamed up with The Ali Forney Center, GLSEN, LIVE OUT LOUD, Hetrick Martin Institute, Connect 2 Protect, Bronx Community Pride Center, and the YES Program to create a workshop that brings together teachers and community based organizations working to support Queer youth.

This event will give teachers an amazing opportunity to learn about the many resources and services NYC community organizations have to offer our youth. Come learn how to better support our queer youth and create safer schools for queer students and teachers.

*This is a free event. Please RSVP.*

For more information or to RSVP write to: nyqueer@nycore.org or visit www.nycore.org.

Wednesday, August 13, 2008

Some Questions on Education, Business, and Power


I don't think anybody anywhere can talk about the future of their people or of an organization without talking about education. Whoever controls the education of our children controls our future. --Wilma Mankiller, first woman elected Chief of the Cherokee Nation

(Thanks, Education for Liberation and NYCore for including this quote in your Plan Book.)

"Ford Motor Company would not have survived the competition had it not been for an emphasis on results. We must view education the same way," the U.S. Secretary of Education declared in 2003.
That's a pretty scary statement.

Who runs our schools? The biggest names:
Is a business mentality the solution to our troubled education system? Should hedge fund managers be running charter schools? What happens when we place test results as the bottom line? 



Little Emperors: Chinese Culture and Education

Psychology Today's piece, Plight of the Little Emperors, focuses on the pressure that students in China are facing today.
The situation for urban young people in today's China, from preschoolers on up, is this: Your entire future hinges on one test, the national college entrance exam—China's magnified version of the SAT. The Chinese call it gao kao, or "tall test," because it looms so large. If students do well, they win spots at China's top universities and an easy route to a middle-class lifestyle. If not, they must confront the kind of tough, blue-collar lives their parents faced. With such high stakes, families dedicate themselves to their child's test prep virtually from infancy. "Many people come home to have dinner and then study until bed," says Liu. "You have to do it to go to the best university and get a good job. You must do this to live."
I haven't been posting lately, mostly because I've been busy teaching at a Chinese summer enrichment program in Brooklyn. It's been an interesting experience. The kids are great. But the program has allowed me to understand a little bit more about Chinese culture--particularly some Chinese notions of education. I marvel at the respect and dedication that the students and families place on education. 

Learning from my students about their culture and journeying with them in my drama class has been a positive experience. But the administration's views of education have been troubling to me. My drama class of 5th and 6th grade boys devised a theatrical piece about a ten-year old immigrant boy, titled Lee's Adventure: China to America. We worked hard with the goal of eventually performing it for students and families on the last day. In the end, it was cut from the final "awards ceremony" because it wasn't viewed as projecting a "quality" or "professional" image--even though the administrator had never stepped into our classroom to view it. Not even once.

So, it didn't surprise as much me when I read this piece on the little girl cut from singing the Chinese national anthem at the Olympics. She had the perfect voice--but didn't portray the right "image." 

In the end, we didn't get to perform Lee's Adventure or even videotape it as we'd hoped. When I sat down with the boys to reflect on our drama class experience, I was surprised. I wanted to give them a chance to be angry at me or at the school. While they were disappointed not to perform, one student said, "You know, it doesn't really matter if we have people watching our play. We know we did a great job for ourselves. I kinda think that's what's important." The other students agreed. That made it worth it.

Tuesday, August 5, 2008

Planning to Change the World - One Day at a Time


Education for Liberation Network and The New York Collective of Radical Educators (NYCore) have published Planning to Change the World: A Plan Book for Social Justice Educators. The 2008-2009 Plan Book aims to help teachers incorporate social justice into classroom activities. (And is useful for those of us who use paper, rather than blackberries to keep track of our schedules! Of course, I don't know any teachers who have blackberries...)

What's useful:
The book offers a number of quotes related to social change & education. A couple of my favorites (although they are all inspiring):
  • Prejudice is like a hair across your cheek. You can't see it, you can't find it with your fingers, but you keep brushing at it because the feeling of it is irritating. --Marian Anderson, opera singer
  • No government has the right to tell its citizens whom to love. The only queer people are ones that don't love anybody. --Rita Mae Brown, author and activist for gay rights
  • I don't think anybody anywhere can talk about the future of their people or of an organization without talking about education. Whoever controls the education of our children controls our future. --Wilma Mankiller, first woman elected Chief of the Cherokee Nation.
There are conversation/journal questions throughout, to be used to spark discussion with students. For example, "Would you stand up for someone else's rights? Have you ever witnessed someone else's rights being violated? What did you do or what might you do next time?" They aren't daily or even weekly, so I wish there were more. 

I also like the ideas and titles for social justice recognitions to give to students. (I won't give them away here though...)

The calendar includes a number of significant dates--the best part is that these dates are paired with teaching resources in the back of the book. For example, March 9, 2009 will be the 50th anniversary of A Raisin in the Sun's Broadway debut--the first Broadway play written by a black woman. The book includes a link to a unit plan on the play that includes 18 lessons and resources materials. These dates and lesson plans/resources are an exciting part of the book.

A few pages of the book outline the work and successes of teachers for social justice. Also useful, but I'd like to see more.

Things that would make great additions to this book:
  • Elementary/Secondary Editions (differentiated)
  • More questions for conversations (daily or weekly)
  • Additional examples of the work of educators
  • An online version of the calendar
  • A website to track user's success or implementation of discussions or lesson plans
The bottom line:
A useful buy. The lesson plans, dates, quotes, and discussion questions are excellent resources to add to a social justice educator's toolkit. Why buy a planner at Office Max or Target when you can get Planning to Change the World for the same price?

Sunday, August 3, 2008

"Half a Chance" - Black Males and Public Education


Check out Given Half A Chance: The Schott 50 State Report on Public Education and Black Males. Here's an excerpt from the Executive Summary:
The 2008 edition, Given Half a Chance: The Schott 50 State Report on Public Education and Black Males, details the drastic range of outcomes for Black males, especially the tragic results in many of the nation’s biggest cities. Given Half a Chance also deliberately highlights the resource disparities that exist in schools attended by Black males and their White, non-Hispanic counterparts. The 2008 Schott report documents that states and most districts with large Black enrollments educate their White, non-Hispanic children, but do not similarly educate the majority of their Black male students. Key examples:
  • More than half of Black males did not receive diplomas with their cohort in 2005/2006.
  • The state of New York has 3 of the 10 districts with the lowest graduation rates for Black males.
  • The one million Black male students enrolled in the New York, Florida, and Georgia public schools are twice as likely not to graduate with their class as to do so.
  • Delaware, Georgia, Illinois, Indiana, Michigan, South Carolina, and Wisconsin graduated fewer Black males with their peer group than the national average.
  • Illinois and Wisconsin have nearly 40-point gaps between how effectively they educate their Black and White non-Hispanic male students.
These trends, and others cited in Given Half a Chance, are evidence of a school-age population that is substantively denied an opportunity to learn, and of a nation at risk.

Sunday, July 27, 2008

Rethinking Dialogue: Critical Pedagogy and Special Needs Populations



I was perusing through the blogs and forums on The Paulo and Nita Freire Project and came across an interesting discussion forum: Critical Pedagogy and Special Needs Students:
I have been thinking about Critical Pedagogy in relation to various oppressed groups. If Critical Pedagogy advocates dialogue in its practice, how can we apply critical pedagogy with students with special needs?
Vanessa Paradis offers this response:
What is dialogue? Is it limited to words that we speak or write down on paper? Dialogue can occur in many formats (art, movement, touch, music, presence, assistive technology, etc..) as can be noted from all of the different blogs on the site. What all dialogue must have in common is love (Freire's radical love) compassion, and humility with an overriding motivation for social justice. McLaren and Jaramillo (2007) state, "The longing for dignity and justice for others, as well as for ourselves, has been a primary motivation for critical educators worldwide to engage in the politics and practice of critical pedagogy" (p. 196).
Our concept of dialogue expands with critical pedagogy. What are all of the ways we might engage in dialogue with people? I ask this because I do not have the answers myself and it is an issue that I seek more knowledge for, especially given that I have a daughter with autism and I have seen her struggle with trying to communicate something she so desperately wants to say, but it stays locked up in her brain anyway, until she cries out in frustration.
We also need to expand how labels and diagnostics define people's capabilities; the ideal would be no labels at all. Setting limits based on a Cartiesian ontology is a tragic error and serves to keep people locked into confined spaces from which they might otherwise escape (Kincheloe, 2006). A perfect example is the IQ test and allowing it to tell us what a person cannot do. Kincheloe (2006) states, "Since the self is always in context and in process, no final delineation of a notion such as ability can be determined. Thus, we are released from the rugged cross of I.Q. and such hurtful and primitive colonial conceptions of 'intelligence'" (Contructing a Critical Ontology, para. 2). This requires us to step outside the boxes we have constructed and to look through different frameworks or lenses.
When we define the prerequisites for dialogue as the ability to speak and write in the ways of the dominant culture, who are we seeking to shut out from dialogue? Who is afraid to enter the dialogue? 

Another pitfall occurs when we make assumptions that certain populations are "unfit" for particular dialogues. In his Introduction to Pedagogy of the Oppressed, Donald Macedo writes about an occasion when he and Henry Giroux were asked to speak at Massasoit Community College (MA) to a group of unwed mothers in a GED program. The program mentioned that many of the women were considered "functionally illiterate." Macedo mentions one woman's response after the speech:
Professor Giroux, all my life I felt the things you talked about. I just didn't have a language to express what I have felt. Today, I have come to realize that I do have a language. Thank you.
The particular language in which dialogue takes place is not necessarily what is important. What is fundamental is that individuals, in relationship to others, find languages in which to communicate, dialogue, and create and recreate the world. The dialogue that, as Freire would say, "unveils reality," is a relationship. Must we limit this "unveiling of reality" to certain vocabularies, languages, degree-holding groups, or those deemed to have higher abilities or higher IQ's? Those that are experts? 

Who do we limit with our constructions of dialogue? How do we limit the power of art, music, drama, dance, laughter as languages and dialogue?

Monday, July 21, 2008

Elite Colleges: Making Minds or Careers?


What are the disadvantages of an elite, top-notch, Ivy university? William Deresiewicz frames them pretty darn well in "The Disadvantages of an Elite Education" from the current issue of The American Scholar.

Read the whole piece. Here are several tidbits that Dresiewicz pinpoints as serious disadvantages of the so-called "elite" educational institutions:
The first disadvantage of an elite education... is that it makes you incapable of talking to people who aren’t like you. Elite schools pride themselves on their diversity, but that diversity is almost entirely a matter of ethnicity and race. With respect to class, these schools are largely—indeed increasingly—homogeneous. Visit any elite campus in our great nation and you can thrill to the heartwarming spectacle of the children of white businesspeople and professionals studying and playing alongside the children of black, Asian, and Latino businesspeople and professionals. At the same time, because these schools tend to cultivate liberal attitudes, they leave their students in the paradoxical position of wanting to advocate on behalf of the working class while being unable to hold a simple conversation with anyone in it.
Elite colleges and universities pride themselves in opening up doors to their students. But what doors are they closing?
If one of the disadvantages of an elite education is the temptation it offers to mediocrity, another is the temptation it offers to security. An elite education gives you the chance to be rich—which is, after all, what we’re talking about—but it takes away the chance not to be. Yet the opportunity not to be rich is one of the greatest opportunities with which young Americans have been blessed. We live in a society that is itself so wealthy that it can afford to provide a decent living to whole classes of people who in other countries exist (or in earlier times existed) on the brink of poverty or, at least, of indignity. You can live comfortably in the United States as a schoolteacher, or a community organizer, or a civil rights lawyer, or an artist—that is, by any reasonable definition of comfort. You have to live in an ordinary house instead of an apartment in Manhattan or a mansion in L.A.; you have to drive a Honda instead of a BMW or a Hummer; you have to vacation in Florida instead of Barbados or Paris, but what are such losses when set against the opportunity to do work you believe in, work you’re suited for, work you love, every day of your life?

Yet it is precisely that opportunity that an elite education takes away. How can I be a schoolteacher—wouldn’t that be a waste of my expensive education? Wouldn’t I be squandering the opportunities my parents worked so hard to provide? What will my friends think? How will I face my classmates at our 20th reunion, when they’re all rich lawyers or important people in New York? And the question that lies behind all these: Isn’t it beneath me? So a whole universe of possibility closes, and you miss your true calling.
I realize that I am just about to quote the whole article, so read it for yourself.

The bottom line?
The disadvantage of an elite education is that it’s given us the elite we have, and the elite we’re going to have.

Tuesday, July 15, 2008

Brooklyn Students Say They Aren't Interested in Fighting Other People's Battles

"In the military, I would fight for someone else's perception of what is right and wrong, and I don't want that," said Jarel March, of East New York, a student at Williamsburg Preparatory High School.


Book to Read: Against Schooling: For an Education That Matters by Stanley Aronowitz

"In Against Schooling, Stanley Aronowitz passionately raises an alarm about the current state of education in our country. Discipline and control over students, Aronowitz argues, are now the primary criteria of success, and genuine learning is sacrificed to a new educational militarism. In an age where school districts have imposed testing, teachers must teach to test, and both teacher and student are robbed of their autonomy and creativity. The crisis extends to higher education, where all but a few elite institutions are becoming increasingly narrowly focused and vocational in their teaching. With education lacking opportunity for self-reflection on broad social and historical dynamics, Against Schooling asks “How will society be able to solve its most pressing problems?” Aronowitz proposes innovative approaches to get schools back on track."

The book is expensive, but here's a link to an Aronowitz article: "Against Schooling: Education and Social Class."

Thursday, July 10, 2008

SAT Spin

A recent study shows that the revamped SAT isn't any better at predicting college success than the old test was. The College Board began to revise the test in 2002, adding a writing section and taking away the analogies portion, when the University of California recommended that the school use a more curriculum- based approach to testing, saying that the SAT favored students from middle to high income families. (Think of the money lost if students applying to University of California schools weren't required to take the SAT!) The new test format was released three years ago. 
“The changes made to the SAT did not substantially change how predictive the test is of first-year college performance,” the studies said.

College Board officials presented their findings as “important and positive” confirmation of the test’s success.
Huh? Sounds similar to Bush's spin on the Reading First results.
“The new SAT was supposed to be significantly better and fairer than the old one, but it is neither,” said Robert Schaeffer, the public education director at FairTest, a group that is critical of much standardized testing. “It underpredicts college success for females and those whose best language is not English, and over all, it does not predict college success as well as high school grades, so why do we need the SAT, old or new?”

“Given the data released today, what was the point of all the hoopla about the SAT’s revisions beyond preserving their California market?” Mr. Schaeffer said. “This is all spin. It’s been a marketing operation from the get-go.”
Why do we need the SAT???

Book to Read: Eugenics and Education in America by Ann Winfeild



Bill Ayers has an interesting post about Ann Winfeild's Eugenics and Education in America: Institutionalized Racism and the Implications of History, Ideology, and Memory (Complicated Conversation: a Book Series of Curriculum Studies).

 

Ayers' review:
Written out of the official story as quackery and the handiwork of a few nut-cases, Winfield demonstrates beyond doubt that eugenics was not only respectable, mainstream science but also that its major tenets were well-springs in the formation of American public schools with echoes in the every day practices of today. Formed in the crucible of white supremacy and rigid hierarchies of human value, American schools have never adequately faced that living heritage.

We no longer talk of “miscegenation” or “imbeciles,” of course, and we are likely to look upon forced sterilization and race-based marriage laws as archaic. But Winfield undermines any sense of smug superiority we might grant ourselves by drawing a direct line from those repulsive labels and practices to our own obsessions with “standards” and “accountability,” test scores and grades. White supremacy surely changes its spots but it remains durable and dominant.

Wednesday, July 2, 2008

I Love Bridging Differences

A great blog to read: Bridging Differences. It's a conversation between Diane Ravitch and Deborah Meier both at NYU's Steinhardt School of Education who have "found themselves at odds on policy over the years."

Deborah comments on "Blaming Teachers" and Bloomberg's recent speeches on NYC's test score "victory:"
Bloomberg is one of many that view anything that isn't built around a harsh competitive spirit, with easy to count winners and losers, and money at stake can't work. Maybe even shouldn't work. Further, if you believe that nothing worthwhile happened prior to the arrival of one's own new bold plans little attention need be paid to those "on the ground." Crisis thinking has that inevitable downside—one has no for serious thought, for persuading or being persuaded by the reluctant in face of imminent danger. * All independent power blocs that stand in the way (like parents and teachers) must be immobilized so that swift and inflexible action can be taken from the top. (Bloomberg should reread War and Peace.) For noble ends, short cuts in truth-telling are allowed. We remember (and disremember) best what proves our point. (Mea culpa too.)

Friday, June 27, 2008

Artsbridge: The Art of Imagination, Dialogue and Conflict Resolution for Israeli and Palestinian Youth

Boston Globe article features Artsbridge camp founder Debbie Nathan. Artsbridge provides dialogue training and art therapy to students caught up in the Palestinian-Israeli conflict. You can view a video about the program at its website.

Students in the Artsbridge program will collaborate on sculptural artwork. 
Each student will be given the opportunity to place his or her contribution into a circle. If they want to touch another participant's work, they must ask permission. Where the kids choose to place their objects, say the organizers of Artsbridge, will reveal a lot about their perceived relationship to the group and their expectations for the program.
Art can be a powerful tool for dialogue and imagining new possibities. Maxine Greene says, "For me, the child is a veritable image of becoming, of possibility, poised to reach towards what is not yet, towards a growing that cannot be predetermined or prescribed. I see her and I fill the space with others like her, risking, straining, wanting to find out, to ask their own questions, to experience a world that is shared." Community created art work mimics this becoming and possibility, and opens up a shared space for questions, risks, and possibilities.
Though Nathan lived in Israel from 1976 to 1979, on a recent trip to interview candidates for the program she was struck by the depth of despair on both sides of the conflict.

"If you woke up tomorrow and the world was perfect," she asked every youth who applied for the program, "what would it look like?"

None of the children could begin to answer, she said this month at a daylong retreat for the Artsbridge board members at Nathan's house in Swampscott. She is haunted by the shocked looks that came over the students' faces when she asked whether they could imagine peace in their lifetime.

"They hadn't even thought about it," she said.

When she asked the prospective campers what they would ask for if they were granted three wishes, she recalled, almost all of them wished for health for their families and peace for their communities. She couldn't help but wonder how American students would respond.

"These kids' stories are so powerful to me," she said.

Thursday, June 26, 2008

Coalition Advocates on Capitol Hill for Culturally Based Teaching

From Diverse Issues in Higher Education:
Teachers must be sensitive and inclusive to all students’ cultural backgrounds, educators and advocacy organizations said during a congressional briefing on Capitol Hill Wednesday.

The briefing, “Culturally Based Teaching: A Model for Student Success, ” provided educators and student advocates with the opportunity to share their views and provide federal policymakers with first-hand accounts on how using a culturally based education model will empower students and help close the achievement gap.
Dr. Willard Sakiestewa Gilbert, president of the National Indian Education Association (NIEA), comments:
“These approaches include recognizing and utilizing native languages as a first or second language that can incorporate traditional cultural characteristics and involve teaching strategies that are harmonious with the native culture knowledge and contemporary ways of knowing and learning.”
(This comes at a time when Oregon's Secretary of State Office has released that an initiative limiting non-English language teaching in schools will appear on the ballot in November.)

The Coalition also suggests preparing more culturally teachers and recruiting and hiring more minority teachers that come from students' own communities.

Bottom line:
Dr. Luis A. Vázquez, associate graduate school dean at New Mexico State University, said that students will be more likely to excel academically if they can relate to what is being taught.
Vázquez used his parents as an example. One only made it to the fourth grade and the other to the seventh grade. He added that the lack of cultural identity in his family members’ school curriculum was generational.
“Nothing in the textbooks looked like them, nothing related to them,” Vázquez said, adding that students today do not need to feel like “they are guests in somebody else’s house” while in school.