Childhood, Art, & Healing

"If we want to look at children's drawing with pleasure and profit, we must first silence our wishes and requirements about form and content and gratefully take what they have to offer... The arm is the maximum freedom of the child, their free choice of expression according to their mood.... Everything must be left to the child. At most, they should be given a subject, an impulse." -Friedl Dicker Brandeis

Today, I was browsing in a book store and came across Art, Music, and Education as Strategies for Survival: Thereseinstadt 1941-1945.

This volume collects six new essays spanning a variety of disciplines, as well as memoirs and related source materials, on the history and the arts of the Theresienstadt ghetto from 1941 to 1945. The book was assembled with the cooperation of the Jewish Museum in Prague, the Simon Wiesenthal Museum of Tolerance in Los Angeles, the United States Holocaust Memorial Museum in Washington, D.C., the Leo Baeck Institute in New York, and others.

Featured throughout the book is the work of Friedl Dicker-Brandeis, a multitalented Bauhaus artist, who produced work in theater, architecture, textiles, graphic design, drawing, painting, and sculpture. In 1934, Dicker-Brandeis was arrested by the Gestapo for anti-Fascist activities and fled to Prague, where she taught art classes for Jewish refugees. In 1942 she was sent to the Theresienstadt ghetto. While there, she secretly taught art to the children, gifting them with the tools for the expression of their fears of hunger, disease, and death within their midst. Dicker-Brandeis and thirty of her students perished in the gas chambers of Auschwitz in 1944. Before she was shipped out, however, she hid thousands of works of child art within the walls of Theresienstadt, preserving for posterity a powerful and enduring indictment of the horrors of genocide.

The story of Dicker-Brandeis and her work gives me chills. Her insight on childhood & art is eloquent and rich:

“Why do adults want to make children be like themselves as quickly as possible?… Childhood is not a preliminary, immature stage on the way to adulthood. By prescribing the path to children, we are leading them away from their own creative abilities and we lead ourselves away from understanding the nature of these abilities.”

Nebraska Classroom & Rwandan Genocide "Prediction"

What can happen when we discuss real issues with our students?

NPR's Weekend Edition Saturday, April 26, 2008 · In 1993, Rep. Tim Walz of Minnesota, then a high school geography teacher in Nebraska, had his class do an exercise in which they ended up predicting the Rwandan genocide the following year. Tim Walz and one of his former students, Travis Hoffman, talk with John Ydstie about the prediction.

The original story appears in the NY Times: High School Project on Genocide Was a Portent of Real-Life Events.

“It was different and unusual, certainly not a project you’d be expecting,” Mr. Hofmann, now 31, of Phoenix, remembered recently of the class. “The biggest part was just the freedom to explore things. No matter how abnormal or far-fetched an idea might sound, you can form an opinion. Instead of just going in and having a teacher say, ‘Here’s information, learn it, know it, you’ll be tested on it,’ it was, Here’s an idea, run with it.’ ”

For nine weeks through the winter and early spring that school year, through the howling blizzards and the planting of the first alfalfa on the plains, the class pored over data about economics, natural resources and ethnic composition. They read about civil war, colonialism and totalitarian ideology. They worked with reference books and scholarly reports, long before conducting research took place instantly online.

Most, like Mr. Hofmann, had spent their entire lives in and near Alliance. A few had traveled to Washington, D.C., with the school marching band. A few had driven four hours to Denver to buy the new Nirvana CD. Mostly, though, the outside world was a place they built, under Mr. Walz’s tutelage, in their own brains.

When the students finished with the past, Mr. Walz gave a final exam of sorts. He listed about a dozen current nations — Yugoslavia, Congo, some former Soviet republics among them — and asked the class as a whole to decide which was at the greatest risk of sliding into genocide. Their answer was: Rwanda. The evidence was the ethnic divide between Hutus and Tutsis, the favoritism toward Tutsis shown by the Belgian colonial regime, and the previous outbreaks of tribal violence.

Read the full peice.