Monday, March 30, 2009

Chekhov on Love & Theatre

“The essence of our profession… is to give. What is it that we in the theater give? … We give our body, voice, feelings, will, imagination – we give a form of pulsating art to life itself; we give it to our characters and we give it to our audiences. Nothing, absolutely nothing remains for us save the pleasure of having given pleasure. And yet it is only by this miraculous process that our love grows and our talent is fulfilled and replenished."

Friday, March 27, 2009

The World Becomes What You Teach

Do not leave the theatre satisfied
Do not be reconciled
Have you been entertained?
Laughter that’s not also an idea
Is cruel

Have you been touched?
Sympathy that’s not also an action
To make the play the writer used god’s scissors
Whose was the pattern?
The actors rehearsed with care

Have they moulded you to their shape?
Has the lighting man blinded you?
The designer dressed your ego?

You cannot live on our wax fruit
Leave the theatre hungry
For change

Thursday, March 26, 2009

Making Room for Hope... The New York State Literary Center

Check out the website. The founder and leader of this organization, Dale Davis, is truly a force in the teaching artist field. The work of the youth and young men in correctional facilities with which NYSLC works is moving, strong, and breathtaking....
I Want To Write
By Miguel

I want to write to turn insanity into clarity,
write to a convict on death row
and have tears roll off his cheeks.
I want my words to reach the inner
chambers of a frozen heart and let it thaw.
I want to write to a woman who has seen it all
and had enough hardships and turn them into soft voyages.
If I could, I would write to life and
let it know
it's playing a novice while it's a pro
in a game only itself knows.
I wish I could write to who I was four
years ago
to say: take it slowly, cuz if not...well you already know.
I want to write words to express
all of the stress you gain from such a test
of having your freedom taken away
by no other than yourself.
I want to write for help but I'm scared of
the one who will send it.
I want to write to a young mother
to let her see how much harder I made her
stay here,
but still she WILL reap the benefits
you can only gain from having kids.
I just want to write until carpal tunnel takes
over my wrist...and hard,
and I'll either become left handed or the
loudest man
to say what I have to say
because the world is my stand.
I want to write...

What I Have to Say
By Rodney

I apologize,
I apologize
for leaving my loved ones behind.

I am a young Black man who has been in the system too long.

I was searching.
I was searching.
I was searching for freedom,
but I never found where it was at.
It was lost.
Will I find it?

Somebody has to hear my story.

Saturday, March 21, 2009

Service-Learning and Human Rights Guide - Free!

Human Rights Education Associates has published Human Rights and Service-Learning: Lesson Plans and Projects. The lesson plans touch on five human rights topic areas: environment, poverty, discrimination, children's rights to education and health, and law and justice. The full text is available for free in a pdf format. It's very detailed, with some interesting concepts, lesson plans, and activities to pick and choose from.

Friday, March 20, 2009

New Book: Applied Theatre Reader

Check out the new Applied Theatre Reader--an awesome resource on the field that includes the writings of bell hooks, Augusto Boal, Henry Giroux, Jan Cohen-Cruz, Paulo Freire...and the list goes on and on...

Augusto Boal on World Theatre Day

March 27 is World Theatre Day. Augusto Boal writes the 2009 message. He comments: "Theatre is the Hidden Truth." Some excerpts below:
All human societies are “spectacular” in their daily life and produce “spectacles” at special moments. They are “spectacular” as a form of social organization and produce “spectacles” like the one you have come to see.

One of the main functions of our art is to make people sensitive to the “spectacles” of daily life in which the actors are their own spectators, performances in which the stage and the stalls coincide. We are all artists. By doing theatre, we learn to see what is obvious but what we usually can’t see because we are only used to looking at it. What is familiar to us becomes unseen: doing theatre throws light on the stage of daily life.

When we look beyond appearances, we see oppressors and oppressed people, in all societies, ethnic groups, genders, social classes and casts; we see an unfair and cruel world. We have to create another world because we know it is possible. But it is up to us to build this other world with our hands and by acting on the stage and in our own life.

Participate in the “spectacle” which is about to begin and once you are back home, with your friends act your own plays and look at what you were never able to see: that which is obvious. Theatre is not just an event; it is a way of life!

We are all actors: being a citizen is not living in society, it is changing it.

Thursday, March 19, 2009

Dancing Democracy

Why should our children bend the knee in that fastidious and servile dance, the Minuet, or twirl in the mazes of the false sentimentality of the Waltz? Rather let them come forth with great strides, leaps and bounds, with lifted forehead and far-spread arms, to dance the language of our Pioneers, the Fortitude of our heroes, the Justice, Kindness, Purity of our statesmen, and all the inspired love and tenderness of our Mothers. When the American children dance in this way, it will make of them beautiful beings, worthy of the name of the Greatest Democracy.

That will be America Dancing.

-Isadora Duncan, American dancer & choreographer

Poverty, Education, Eco-Justice and More

The Winter 09 issue of the Journal of Educational Controversy focuses on The Hidden Dimensions of Poverty: Rethinking Poverty and Education. Mohammad Yunus, Nobel Peace Prize recipient and founder of the Grameen Bank, has written the prologue.
Poverty is not created by poor people; rather, it is created by institutions and policies that we have built up. In order to tackle poverty, we have to go back to the drawing board, and redesign our concepts, our policies, our institutions. My experience has taught me that poor people are as hard working, as talented as any other human beings. They are not lazy or unskilled or inefficient, as people tend to think. They just never get the opportunity to tap their own potential. An effective poverty reduction program is one that allows the poor person to unleash his or her potential. Microcredit is one way of doing that.
So is education. Yunus speaks about our acceptance of the idea that some people will always be poor. He argues:
What we want and how we get it depends on our mindsets. It is extremely difficult to change mindsets once they are formed. We create a world in accordance with our frame of mind. We need to invent ways to change our perspective continually and reconfigure our mindset quickly as new knowledge emerges. We can reconfigure our world if we can reconfigure our way of thinking. This is where education, one that encourages us to challenge conventional wisdom, can try to play a significant role. I believe even the biggest problem can be cracked by a small, well-designed intervention. That is where our creativity comes in.
Creativity does not only help us to invent solutions or well-designed interventions. The most important part of creativity is the important part it plays in our ability to imagine a different world--to imagine, to hope, and to believe that another way of being with people and with the world can exist. (This is why fostering imagination and creativity--via the arts, especially--is so important...rather than only encouraging and rewarding rigid adherence to existing routines and structures.)

Other interesting stuff:

In "Poverty and Class: Discussing the Undiscussible," John Korsmos encourages dialogue and listening to understand the experience of struggling community members. He asks: "What would happen if we knew each other?"

C.A. Bowers talks about "Rethinking Social Justice Issues Within an Eco-Justice Conceptual and Moral Framework," commenting on unspoken cultural commons that need to be addressed within curricula:
The starting point in a commons-oriented curriculum is to have students conduct a survey of their local cultural commons, as well as the aspects of the larger cultural commons that they have a right (in spite of past exclusions) to participate in. The survey should involve learning who the elders and mentors are, who the keepers of the community memory are, what forms of cultural commons activities exist—such as playing chess, painting, writing poetry, musical performances, gardening, working with wood and metal, volunteerism, and political action groups. In a word, the survey should cover the activities and relationships within the community that are less reliant upon a money economy—and that lead to the development of skills and interests that contribute to a less damaging ecological footprint.
And much more..

Friday, March 13, 2009

Herbert Kohl on Surveillance and Education

Herbert Kohl has a great article entitled "The Educational Panopticon" in Teachers College Journal. You must be a subscriber to read the article, but here are some of the key parts:
People who insult and denigrate teachers by forcing scripted curriculum on them are perfectly aware that they are forcing teachers to act against their conscience and students to close down their minds. What must be raised and answered for is the moral cost of creating joyless schools that resemble panopticons.

I find it painful to write about education these days. I began teaching in 1962 and after about one semester realized that I would have to become engaged in school reform if I was to teach well and be of use to my students. This engagement has continued for forty-six years and yet I still encounter schools that are as repressive and ineffective as they were forty-six years ago. Sometimes I even encounter situations, which are even more depressing that any I remember.

Recently a friend and I visited a middle school in the Bay Area. It was lunchtime and the students were lined up outside of the cafeteria. I noticed that they all had their arms folded over their chests with their hands clutching their shoulders. My friend got really upset and suggested we leave immediately. I asked her what was wrong, and she told me that the lunch line was identical to lunch lines she observed when she visited prisons. The inmates were required to hold their arms that way to prevent them from touching each other or carrying anything into the dining hall. Later I asked a teacher at the school about the rationale for having the students line up in that way, and he gave me the same reason. According to him, the students, all of whom were either black or Latino, had to be kept from touching each other or fooling around on the lunch line and besides, he commented, “it’s also good education for their future.”

I observed a similar phenomenon in an elementary school a few weeks ago, only this time it was a class of second graders required to walk to the playground with their arms folded across their chests. The rationale I was given by an administrator was the same though without the cynical aside. In both instances the official reason for the policy was that it was part of the school’s zero tolerance policy.

The majority of schools don’t resort to such methods of behavioral control and do sanction some informal movement of youngsters from place to place. However, the notion of control and surveillance is pervasive these days. I believe that the consequence of scripted curriculum, teacher accountability, continuous monitoring of student performance, high stakes testing, and punishment for not reaching external standards is that schools become educational panopticons, that is, total control and surveillance communities dedicated to undermining the imagination, creativity, intelligence, and autonomy of students and teachers.

“Panopticon” was the name given by the British philosopher and legal theorist Jeremy Bentham to a prison he designed during the 1780s. Essentially it consisted of prisoners’ cells built in a circle around a surveillance core in the middle. The idea was to provide complete monitoring of prisoners at all times by guards within the core. Prisoners were unable to see into the core and therefore could not actually tell whether they were being observed or not. The motive for this was to create an environment where the prisoners would internalize and accept the idea of total and continuous surveillance whether or not it was actually happening. It was an attempt to use the physical environment as an instrument of intimidation and mind control.

The French philosopher Michel Foucault extended the use of “panopticon” to characterize social institutions such as prisons, hospitals, mental asylums, and schools which institutionalize constant surveillance and exert mind control, often without the knowledge or awareness of the people being controlled. When I talk about an educational panopticon I mean a system in which teachers and students are under constant scrutiny, allowed no choice over what is learned or taught, evaluated continuously, and punished for what is considered inadequate performance. In this context students and teachers are forced to live in a constant state of anxiety, self-doubt, wariness, anomie, and even suppressed rage.

Consider the following characteristics of schooling that I mentioned above: scripted curriculum, teacher accountability, continuous monitoring of student performance, high stakes testing, and punishment for not meeting external standards. Scripted curriculum turns teachers into mechanical delivery systems. Most teachers I know try to revolt against them, but they have to face what are called “the Open Court police” – people who wander the halls of schools checking that teachers are on exactly the mandated page, asking set questions rather than discussing ideas or texts, and accepting only the answers provided by the teachers’ booklet. Though those monitors obviously can’t check all the classes at all the times they induce a state of anxiety since they can enter any classroom at any time without even knocking. This aspect of the panopticon contributes to the erosion of self-respect and pride in one’s work by treating teachers as objects with no independent educational knowledge and judgment of their own.

The irony is that even with the imposition of so-called “teacher-proof” curriculum, teachers are evaluated on the effectiveness of their student’s performance on tests relating to material they have no control over. No one evaluates Open Court or other such curriculum when students fail. It is the powerless “proofed” teachers who take the hit. This is morally reprehensible and yet the question of the values underlying this kind of teaching and evaluation is neglected when experts discuss educational issues.

Teachers under surveillance are also the agents of surveillance since they are expected to do continuous monitoring of their students’ progress. Continuous monitoring implies that learning takes place in measurable increments and that constant testing somehow contributes to enhanced performance. Whether it does or not, it reinforces educational practice which has no space for conversation, exploration, or the personalization of learning. The classroom becomes a humanly impoverished environment, a sanitized place where students’ personality, charm, and ingenuity have no place. Morally it contributes to depriving the young of opportunities for the development of their minds. Fortunately there are many subversive teachers who work in the service of their students and according to their own conscience rather than submit to the coercive education they are expected to provide.

Add high stakes testing and school-wide punishment for failure and you have even greater weapons of control and coercion. Student and parent anxiety is increased; teachers, being judged themselves by the results of the tests, have incentives to press and pressure their students to perform or even in some cases encourage them to be absent on testing days. Because of no tolerance and no exceptions policies, students who just can’t do well because of disabilities that are no fault of their own, or students who don’t speak English, are forced to take tests they know they will fail. Setting students up to fail is simply immoral, and yet there is surprisingly little outcry about this attack on these young people’s very being.

When I bring up these moral issues to educators who consider themselves reformers in the spirit of No Child Left Behind, they usually acknowledge these “unfortunate” things can happen but that they are unintended consequences of a program designed to get every child performing to high standards. That is not the case. These alienating immoral practices are intended consequences. People who make and administer high stakes tests know the moral and personal costs of subjecting all students to them. People who insult and denigrate teachers by forcing scripted curriculum on them are perfectly aware that they are forcing teachers to act against their conscience and students to close down their minds. What must be raised and answered for is the moral cost of creating joyless schools that resemble panopticons.

Inputs and Outputs: Education and its maintenance of the social order

News from the West's great post, The Education System Was Designed To Keep Us Uneducated and Docile, traces the roots of the US system and its quest to maintain social order and dominant power structures. While I love John Dewey, the post points out even Dewey's references to students as products to be molded within a specific social order. John Taylor Gatto, retired NYC teacher and former NYC and NYS Teacher of the Year, unearths these problems in his book The Underground History of American Education: An Intimate Investigation into the Problem of Modern Schooling. (Full text available for free online.)
Writes Gatto: "Another major architect of standardized testing, H.H. Goddard, said in his book Human Efficiency (1920) that government schooling was about 'the perfect organization of the hive.'"

While President of Harvard from 1933 to 1953, James Bryant Conant wrote that the change to a forced, rigid, potential-destroying educational system had been demanded by "certain industrialists and the innovative who were altering the nature of the industrial process."

In other words, the captains of industry and government explicitly wanted an educational system that would maintain social order by teaching us just enough to get by but not enough so that we could think for ourselves, question the sociopolitical order, or communicate articulately. We were to become good worker-drones, with a razor-thin slice of the population—mainly the children of the captains of industry and government—to rise to the level where they could continue running things.

This was the openly admitted blueprint for the public schooling system, a blueprint which remains unchanged to this day.

Tea Time with Dr. Greg

I recently had the chance to meet with Greg Mortenson, author of Three Cups of Tea, and founder of the Central Asia Institute. You can find a full reflection on The NYU Reynolds Program blog.
With a meek, modest, humble nature, Greg Mortenson radiates with a passion for education that bubbles just below the surface. Perhaps it's this mild and humble manner that allows Mortenson to so gently observe and respect the communities with which he has worked.

Mortenson's Central Asia Institute has the unique posture of working with communities to build ideal schools where much of the educational philosophy can be imagined, rather than fitted within an existing bureaucratic structure. While Mortenson could have taken any approach to education, CAI appears to have done the opposite of what is happening in the U.S. As hyper-standardization and rigid structure appear to be at the forefront of "education reform" in the States, Mortenson's organization builds community-owned schools in which communities have actual decision-making power, where spending is transparent. There is a contract with communities in which they decide how the schools will be governed.

Mortenson knows about the importance of listening. Asking: What are your community's priorities? Acknowledging the lived expertise of community members. While we privilege certain types of education and expression--for example written expression--these don't define education, knowledge, or intelligence. The ability to "read the world" can be just as powerful. Community members are experts in their lived experiences and can contribute to prioritizing and planning.
Why can't education be like this in the States? Do we think we are too advanced for an education that promotes community and peace? How can we re-imagine education?